With usual Godardian insouciance it’s all filmed in contrasty black-and-white, in and around modern Paris, but its enduring charm is The mixture of don’t-care larkishness, amiable huge lug Eddie Constantine executing his tricky-person detail, as well as a profound underlying seriousness drawing cogent connections amongst the brutality of fascism and https://www.youtube.com/watch?v=Dq3IdUqMXW4&t